Greatest Guide To asparagusproject песни
Greatest Guide To asparagusproject песни
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"Careless Whisper" received mainly positive reception upon its release. Music critic Alexis Petridis of The Guardian ranked the song number five of George Michael's 30 greatest songs, stating, "it’s a brilliant pop song regardless, and, in 'guilty feet have got no rhythm', it boasts one of the great once-heard-never-forgotten lyrics".
The one thing you have to bear in mind above all else is that George's ego was the biggest thing in Wham. Bigger than Andrew, bigger than the name, bigger than their earlier, 'cheaper' hits.
The song has been covered by a number of artists since its release, including Brian McKnight, Seether, Roger Williams, Kenny G and Julio Iglesias, among others. A contemporary pop song with R&B and soul influences, it features a prominent saxophone riff composed by Michael and played by Steve Gregory. It became a commercial success, topping record charts in at least ten countries and selling about 6 million copies worldwide—2 million of them in the United States.
: "I was on my way to DJ at the Bel Air when I wrote 'Careless Whisper'. I have always written on buses, trains and in cars. It always happens on journeys.
Although you and I can’t hear what it is, it may be the very thing that will make the record a hit. The success of pop records is so ephemeral, so unbelievably unpredictable, we just can’t take the risk of being impatient. But this sax player's not going to get it, is he!"
.. Then George decided he didn't like his hair so he flew his sister over from England to cut it and we had to reshoot more scenes."[45]
The key line, “I’m never gonna dance again, guilty feet have got no rhythm,” conveys the pain and shame of making a mistake that cannot be undone.
The song was written before Wham even had a name, way back in '81. George took over the writing by the time the band were recording, so everything after that tends to only have his name attached to it.
.. The whole time I thought I was being cool, being this two-timer, but there really wasn't that much emotion involved. I did feel guilty about the first girl – and I have seen her since – and the idea of the song was about her.
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He just couldn't play the opening riff the way George wanted it, the way it had been on the demo. But that had been made two years earlier by a friend of George's who lived round the corner and played sax for fun in the pub."
"Instead, after two hours, he was still there while everyone in the studio shuddered with embarrassment. He just couldn't play the opening riff the way George wanted it, the way it had been on the demo. But that had been made two years earlier by a friend of George's who lived round the corner and played sax for fun in the pub."[25]
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However, George was unhappy with the version that was originally produced by Wexler, and he decided to re-record and produce the song himself, which ended up being the version that was released.